Sunday, December 30, 2018

My Way: Another chapter in my publishing journey.

Originally published on October 18th, 2018 here.

For most of my 14 years as a published author, I’ve run on a fuel made of equal parts ambition and desperation.

My ambition was to become The Next Judy Blume and dominate the world of YA contemporary literature through my Maddie Series books.

My desperation was that I believed, in the most frantic and determined way, that if I followed the letter of the law of those more experienced and successful than I, then I would win the golden ticket (a.k.a. a book contract with one of the Big 5.)

The very first example of that is, after a few years of rejections, I decided to self-publish. This decision came from the advice of A Person In The Know who said that she’d seen people use it as a platform to gain attention from agents.

She was right. This book won a big award and agents started to contact me, and I signed with one of them one only a year after self-publishing. The next piece of advice came from other author friends I made through self-publishing. They said to go to as many SCBWI  conferences as possible, so I did. While this didn’t land me a book contract, it helped me to make friends with more published authors. When four years of conferences and working with an agent didn’t move me any closer to a book deal, an author friend told me to get an MFA, focus on craft and revisit the publishing part later. Maybe this would be it! When I started the MFA program in 2009, one of my instructors told me to fire the agent because it had now been 4 years and no book deal, this, according to her, was not a good sign (she was right). So, I fired the agent, finished the MFA (and grew a hell of a lot as a writer!), and followed the advice of another teacher in the program, and upon graduation, submitted to new agents, landing one not even a year after graduation. During my time with the second agent, I revised and rewrote three different manuscripts based on every piece of advice she gave me. As we set out to submit, I thought I am so very close.

I wasn’t. Four years later, I not only didn’t have a book deal but also my spirit was crushed. I had spent from 2003 to 2014 in a desperate chase for the ultimate prize, and I failed to win it.

So, I gave up.

For 2 years I focused on writing for the love of it. I didn’t attend one workshop or conference. I resisted the overwhelming urge to submit to agents and editors because that urge was fueled by desperation (and my ambition caused me nothing but grief by this point) and I was SICK of desperation.

In 2016, I began to submit personal essays that I was really proud of. I carefully researched the market and targeted only those publications that fit my niche.

And it worked. I began to not only get published but also GET PAID (BONUS!)!

That’s when it all became clear: I needed to be deliberate versus desperate, look inward versus outward, listen to my inner voice not just the voices of those around me.

When I decided to sign with Black Rose Writing earlier this year to publish Till It Stops Beating, I didn’t make that decision out of desperation. I made it out of a conscious choice: I no longer wanted to do the pitch/query and wait game, and I no longer believed in the delusions of grandeur I once had: that I would be the next Judy Blume.

Because none of what I had done panned out in a way that was reflective of the amount of hard work, the amount of emotional, financial, or physical sacrifice I spent.


Black Rose Writing isn’t one of the Big 5. It’s a small publisher that works in partnership with its authors to market and publish books. With this publisher, I have support, encouragement, and freedom. This beats false hope and desperate ambition. More importantly, my work is out there for you all to read and that’s really what fuels me now.

Sunday, December 23, 2018

Maddie, Me, and Mental Meltdowns

Originally published on October 19th, 2018 here.

The main character in my newly published novel, Till It Stops Beating, Maddie Hickman age 17, has an anxiety disorder. I, Hannah Goodman age 43, have an anxiety disorder. In the book, it's Maddie's senior year of high school and just a few chapters in, she has a "mental meltdown" as she refers to it. In my senior year of high school, only two months into the school year, I, too, had a mental meltdown.

Though my life and my senior year inspired Till It Stops Beating, the parallels between Maddie's life and mine begin and end with her anxiety disorder.

Maddie and I are different not only in terms of the events of our lives—and you will have to read the book to find out more about that—but also in one particularly significant way: she doesn't carry the burden of shame that I did about having an anxiety disorder. Her friends, family, boyfriend (s), and teachers know she is struggling with anxiety. While, for me, when I had my meltdown senior year, I didn't tell anyone. It's not that I denied it or confirmed it, it just wasn't discussed. I got the proper treatment, and my parents were hugely instrumental in my recovery (like Maddie's parents are). However, my parents didn't widen the circle beyond our immediate family and friends. I also always felt self-conscious about my anxiety, and when I would tell someone, I feared rejection and judgment. 

Maddie is growing up in a different time period where anxiety and depression are discussed widely in the media, in schools, and even in the workplace. So, it felt natural and comfortable to portray her experience differently from mine.

When Maddie has her first major panic attack in the novel, her parents label it immediately as such and quickly set out to get her some help. She balks a little at telling her friends and at going back into therapy, but these things are not a big deal and not the focus of the entire novel. In fact, that first panic attack scene, while it is a serious moment, it's also intentionally funny. Maddie describes feeling like she is dying but also like an upside-down crab writhing in confusion. On the other hand, my first major panic attack involved a midnight trip to the ER followed by my mother giving me valium for the next few days while I refused to leave my room. Though ultimately both Maddie and I got the proper treatment, the difference is that during her senior year, Maddie lives her life while having anxiety, and for my senior year I spent a lot of time living my life while trying to hide my anxiety (and failing for the most part).

Interestingly, Maddie's ability to live her life with anxiety and not trying to hide it has been inspirational to me now as an adult.

Back in early 2016, my writing career was at an all-time low after parting ways with my second agent. I was embarrassed and filled with shame, which only triggered my then-dormant anxiety disorder. As I began to struggle with symptoms that I hadn't felt in decades, I did what any writer does when they feel like a mess, I wrote about it.

In late 2016, with truly nothing to lose anymore, I submitted those writings to a number of mental health publications. Success! Several of those pieces got published (and another is forthcoming in January 2019!).

Maddie inspired me throughout this whole ordeal. I really thought to myself WWMD? And what would she do as an adult if all this had happened to her (and it might because she wants to be a writer when she grows up!).  In TISB, she writes a book, drives across the country and makes major life decisions about her future, all while struggle with debilitating anxiety, and when she does collapse into a writhing upside-down crab, she flips over and keeps going. Whatever shame or embarrassment she feels, it's doesn't cripple her. 

So, when my agent and I parted ways and it looked like my writing career was dead before take-off, I too collapsed into an upside writing crab…but I channeled Maddie, and I flipped over, dusted off the embarrassment and shame and continued to crawl along my way.


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